Dancer, Director, Dreamer: The Work and Life of Ann Marie Garvin

SF Examiner, 20 Dec 1981. Photo: Chris Hardy for the Examiner.

Sunnyside Resident Ann Marie Garvin passed away recently at the age of 82.

“Dance is all that’s left that’s real. It’s another world, all yours, and no one can take away the thrill of it.”

Ann Marie Garvin spoke those words to a reporter in 1976, shortly after she had founded her studio on Monterey Boulevard, Dancer’s Synectics Group. They were words she lived by over the course of her long working life–performing, teaching, directing, and choreographing, in San Francisco and beyond.

For 45 years, in the pink-striped building, she taught thousands of dancers, from near and far, her particular fast-paced jazz style and much else as well. Many Bay Area dancers studied with her, such as Ed Mock, Snowy Winter, Greg de Silva, and Craig Innes. Jazz dancer and instructor Ann Barrett noted in an artist’s bio how performing in Ann Marie Garvin’s ‘Dance Between the Lines’ had been invaluable to her understanding of choreography and theater, and for that she was “eternally grateful.”[1]

In assembling and choreographing her own companies of dancers, Ann Marie Garvin rode the crests of several trends, including the push for a greater diversity of body shapes and skin colors in dance that happened in the Bay Area the late 1970s.[2]

“The distinctive thing about Ann Marie is her disregard for height, or color of skin. She is unaware of anything except this: Can they dance? So [her] company has tall and short, plumpish, tan, black, white, but all marvelous dancers.”[3]

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