When the old gymnasiums at the City College of San Francisco Ocean Campus were torn down in 2008, as the new Wellness Center was built, three pieces of artwork by Sargent Johnson attached to the structures had to come down too. Fortunately they were preserved, though their destiny remains undetermined.
Mounted over the entrances of the old gyms were three bas-reliefs Johnson created when it was built in 1940. Architect Timothy Pflueger commissioned the works, just as he commissioned art for almost every building he designed, even something as modest as a gym.
The gyms (one for women, one for men) were two of the first three buildings designed by Pflueger and constructed for the campus, the third being Science Hall. That building’s colorful murals are much better known as public art, and still stand. Johnson’s works were removed before the gyms were demolished, and have been in storage since then.
The Sports Figures
The three reliefs depict sports-related subjects: a group of female ball players; a female tennis player; and a group of male athletes. They are made of cast concrete.
On the South Gymnasium (women’s) there were two figures. First, a set of three women playing medicine ball. (See the end of this article for an explanation of medicine ball.)
Congo Street in the Sunnyside neighborhood runs nine blocks, from Circular Avenue to Bosworth Street, from the edge of the I-280 freeway to the edge of Glen Canyon Park. It makes the ‘C’ in the short run of alphabetical street names that begins with Acadia Street on the east and ends with Hamburg Street on the west (changed to Ridgewood Avenue in 1927).
The name has been a mystery of sorts to many. A scooter messenger I once knew who liked to contemplate the city’s enigmas used to find himself pleasantly puzzled when stopped at Congo on his way out Monterey Boulevard. If you live in the neighborhood, it’s easy for the name to become part of the furniture—used but not noticed.
Unlike the picturesque set of river-themed street names in a Sacramento suburb, where ‘Congo’ sits next to ‘Klamath’ and ‘Nile,’ Sunnyside’s Congo seems without meaningful context, being next to streets named Detroit and Baden. How it came to be the choice of the Sunnyside Land Company when the district was laid out in 1891 is the story of idealized capitalist aspirations that would soon meet the realities of imperialist atrocities against indigenous peoples in the heart of Africa.
In the two decades following the naming of the street in Sunnyside, the Congo in Africa was the site of a genocide of staggering proportions. Many people have told the story; this article highlights only some of it, including a few heroes of humanitarian reform of the time who should be better known, as well as an African American poet who evoked the Congo throughout his long working life.
And the Congo has resonance in the immediate present: the recent efforts of the Black Lives Matter movement in Belgium may finally knock the villain responsible for the atrocities, King Leopold II, off his plinth. Better a century too late than never.
Blood on his hands. Many statues King Leopold II were defaced and removed during Black Lives Matter protests in Belgium, June 2020. The (UK) Independent.
One of many statues King Leopold II , being removed from its public location in Brussels, Belgium, June 2020. Reuters.
Statue of King Leopold II in Brussels, Belgium, smeared with red paint during the Black Lives Matter protests. in June 2020. Photo: John Thys. Getty Images.
In researching the real history of the Poole-Bell house in Fairmount, I discovered an untold chapter in its story. In 1918, after Teresa Bell moved out of her “gloomy old house,” she rented to a family named Tyrrel. They turned out to be the first African-American family in the Glen Park-Fairmount district. They stayed for three decades, finally settling in a house on Chenery.
Their lives tell us something of what it was to be Black in San Francisco in the decades before WWII. Fortunately, the family archivist has shared with me many photos of the Tyrrels, some of which were taken at the Poole-Bell house, as well as family stories. The Tyrrels were in the public record for their church and fraternal group activities. These fortunate gifts have made it possible to tell a story of the family.
Bertram and Frances Tyrrel moved to the big house at the corner of Laidley and Fairmount Streets during the last years of Teresa Bell’s ownership. They had two children still living with them, Irma, then 22, and Wendell, 21. Frances also had two older children from a previous marriage who had both since started their own families: Pearl Hinds, who had three small daughters and kept a farm in Tulare County with her husband; and James Barber, who had a wife and young daughter in San Mateo County.
The family was very close, including Frances’ sister’s and brother’s families. Photographs during these years bear out the family’s sense of belonging and their pleasure and pride in their shared lives.