When the old gymnasiums at the City College of San Francisco Ocean Campus were torn down in 2008, as the new Wellness Center was built, three pieces of artwork by Sargent Johnson attached to the structures had to come down too. Fortunately they were preserved, though their destiny remains undetermined.
Mounted over the entrances of the old gyms were three bas-reliefs Johnson created when it was built in 1940. Architect Timothy Pflueger commissioned the works, just as he commissioned art for almost every building he designed, even something as modest as a gym.
The gyms (one for women, one for men) were two of the first three buildings designed by Pflueger and constructed for the campus, the third being Science Hall. That building’s colorful murals are much better known as public art, and still stand. Johnson’s works were removed before the gyms were demolished, and have been in storage since then.
The Sports Figures
The three reliefs depict sports-related subjects: a group of female ball players; a female tennis player; and a group of male athletes. They are made of cast concrete.
On the South Gymnasium (women’s) there were two figures. First, a set of three women playing medicine ball. (See the end of this article for an explanation of medicine ball.)
My post in July 2020 about Anton Fazekas and his house-number sensation turned out to be a minor sensation itself, bringing visitors to this blog in great numbers. Thank you for all the tweets, Reddit posts, and other links that spread the word. Attention to this minute part of the domestic built environment seems to have been a little anodyne in an age of upheaval.
In this follow-up post there are more photos, many from readers, taken in San Francisco and other Bay Area cities. I show some rehabilitated units, and some rare and odd finds. Also, I address the pressing issue of where to get replacement bulbs and numbers. And we get a peek at a 3D printed reproduction of a Fazekas.
If you have additional information, tips for renovation, or images to share, please write me. In particular, if you have a resource for unattached refurbished Fazekases for sale, please let me know.
For the Golden Gate International Exposition, sculptor Robert Boardman Howard created a magnificent fountain called The Whales. Later it was installed at the Steinhart Aquarium at the California Academy of Sciences, where it was a familiar sight to visitors for half a century. Then it languished in storage outdoors at City College of San Francisco Ocean Campus. Restoration has yet to happen, and now it is tucked away at an SF Arts Commission storage facility awaiting funding and badly needed attention.
Curious Sunnysiders walking through nearby City College may have noticed the sculpture stored there over the last several years. It was a sad site–noble and elegant killer whales peeking forlornly out from under tarpaulins and straps. In real life, some communities of this species are endangered; these massive animals rendered in stone looked equally condemned to extinction.