Category: fazekas

Fazekas Calling: Consideration of a Few Doorbell Plates

Sunnyside History4 Comments

By Amy O’Hair
All things Fazekas are found linked on this page.

I have kindly been given a few unattached examples of Anton Fazekas’ work in the form of doorbell plates, most with their wonderfully finger-inviting Bakelite buttons still in place.

These little works of art were just some of the vast array of products created and sold by his company, American Art Metal Works, during the 40 years he ran the South-of-Market-based firm. Below, there are a few to be seen mounted on the display behind the master himself on this page from a 1940s-era catalogue. (Do you have a doorbell by Fazekas? Write me.)

First we have one touched with the Art Nouveau vibe, sporting two singing birds, a mottled background, and subtle but nonspecific plant references. It appears to have never been attached to a house, as a film of lacquer across one screw hole is unbroken. I believe many of Fazekas’s metal items shipped with a clear lacquer layer on them. It shows the sculptor’s hand in that there are clear but subtle asymmetries to the design. (About 11 cm tall.)

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A phalanx of Fazekas

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By Amy O’Hair
All things Fazekas can be found linked on this page.

A few more novel sightings of the work of Anton Fazekas, San Francisco’s midcentury sculptor-entrepreneur of illuminated house numbers. Read the background in the original post.

As if the classy copper metallic paint wasn't enough, this one has had its numbers replaced with real copper digits, complete with a touch of verdigris patina. Raymond Avenue.
As if the classy copper metallic paint wasn’t enough, this one has had its numbers replaced with real copper digits, complete with a touch of verdigris patina. Raymond Avenue.
I don't know if these are replica digits, or just in excellent condition, but the new screws suggest it's been revamped recently. 27th Avenue.
They might be replica digits, or just in excellent condition, but the new screws suggest it’s been revamped recently. 27th Avenue.
Don't hold back. This fully gilded, careful renovation found on Teresita Blvd.
Don’t hold back. This fully gilded, careful renovation found on Teresita Blvd.

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Fazekas Revisited: Renovations and Rare Sightings

Sunnyside History3 Comments

By Amy O’Hair
All things Fazekas can be found linked on this page.

Anton Fazekas, sculptor, metal-worker, and San Francisco entrepreneur, created unique lighted house number units that can be found on a great many Bay Area houses. Read the background on this midcentury sculptor and entrepreneur here. Since the follow-up post, I’ve happened upon these are other examples around San Francisco. If you have an image to share, write me.

This fairly well preserved unit on Alemany sports the very rare black-on-gold number tiles, which looked brilliant in the morning sun, despite missing its hood.
Another example of the very rare black-on-gold number tiles. The surrounding unit has either been painted to match, or was done in the factory, I do not know. Capp Street.
A lovely renovation on Vernon Street, with ceramic tiles inserted into the unit, along with matching tile spacers.
Although not in top condition, this colorway is striking. Original number tiles may have been the rarely seen black-on-white, with the numbers later repainted red. Cayuga Avenue.
Detailed paint work. Although the hood is missing, this owner on Harrison Street has made the best of it, covering and painting the hope to match.
A cheery bit of paint work on Revere Avenue.
A Slimline Fazekas that has been kept in excellent condition. Tocoloma Ave.
A Slimline Fazekas that has been kept in excellent condition. Tocoloma Ave.
A Deco model in fine condition. A piece of glass has been inserted in front of the number tiles, though how there is sufficient room I don’t know. Alemany Blvd.
A Deco model in good condition. Theresa Street.
Mix-and-Match! This one-half tile is not painted, for reasons I cannot fathom. A Deco unit in very good condition, although the white-on-black number tiles have weathered badly. Quality control seems to have been an issue at various points over the years. Potrero Avenue.
A one-half tile in a well-cared-for unlighted Fazekas unit on Manchester Street.
This Fazekas unit sports glass number-tiles, but they aren’t likely to be original. Even the side spacers are glass. Orizaba Street.
This unlighted ‘Deco’ unit is a bit of a mystery. It was installed sometime after 2008, and yet looks like an original. Could it be a clever latter-day imitation? Portola Drive.
Rare and original black-on-white number tiles, in great condition. The vast majority of Fazekas units have white-on-black tiles. Cayuga Avenue
This type of hood usually only appears on the multiple-address units, so it may have been cobbled together from parts. Dublin Street.
A very unusual Fazekas specimen, with Deco-style triangles, an odd star figure at the top, cut-out stencil-style digits, and presumably back-lighting (so no hood). Silliman Street,
A very unusual Fazekas specimen, with Deco-style triangles, an odd star figure at the top, cut-out stencil-style digits, and presumably back-lighting (so no hood). Silliman Street,
This unit on Treat has had a new bulb installed, but a large one, so the hood is slightly displaced. Properly sized bulbs are still available for Fazekas units. https://www.amazon.com/gp/product/B07N1DKVKT/
This unit on Treat has had a new bulb installed, but a large one, so the hood is slightly displaced. Bulbs are still available for Fazekas units. https://www.amazon.com/gp/product/B07N1DKVKT/

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Fazekas, Redux

Sunnyside History1 Comment

By Amy O’Hair

Original post about Anton Fazekas and his little invention: The little sculpture affixed to your house: Anton Fazekas and the making of a midcentury San Francisco sensation. All things Fazekas can be found linked on this page.

My post in July 2020 about Anton Fazekas and his house-number sensation turned out to be a minor sensation itself, bringing visitors to this blog in great numbers. Thank you for all the tweets, Reddit posts, and other links that spread the word. Attention to this minute part of the domestic built environment seems to have been a little anodyne in an age of upheaval.

In this follow-up post there are more photos, many from readers, taken in San Francisco and other Bay Area cities. I show some rehabilitated units, and some rare and odd finds. Also, I address the pressing issue of where to get replacement bulbs and numbers, with a link for the technical info you need to replace a bulb. And we get a peek at a 3D printed reproduction of a Fazekas.

If you have additional information, tips for renovation, or images to share, please write me. In particular, if you have a resource for unattached refurbished Fazekases for sale, please let me know.

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The little sculpture affixed to your house: Anton Fazekas and the making of a midcentury San Francisco sensation

Sunnyside History24 Comments

By Amy O’Hair
All things Fazekas can be found linked on this page.

Most houses in the city have numbers on their fronts; there are a small part of the house’s exterior decor and often escape notice. On my recent socially distanced neighborhood walks I’ve been looking at them. Many houses in Sunnyside, as well as neighborhoods all over the city, have numbers encased in little frames like these.

There turns out to be an interesting history behind these numbers that begins with an artist named Anton Fazekas (1878-1966).

The Sculptor and the Designs

Fazekas was the designer and manufacturer of these ornamental house numbers, each with a little bulb to light up the digits. He patented three models in the early 1930s. They were solidly fabricated of die-cast iron, and held space for four or five numerals depending on the model, with large, plain, readable numerals made of enameled metal. Later he added italic numerals. The digits slotted into the back and were secured with a little bar that screwed down. The hood protecting the bulb could be removed, allowing the bulb to be easily changed. Continue reading “The little sculpture affixed to your house: Anton Fazekas and the making of a midcentury San Francisco sensation” →